Despite both a forgettable title and the fifteen years in which Will Ferrell and writer-director Adam McKay have been beating their brand of comedy into the ground since they first teamed up at Saturday Night Live, The Other Guys is an implausibly funny movie....
This buddy cop spoof begins with the triumphant exploits of the NYPD’s coolest cops. In cameos played by Samuel L. Jackson, as the same character he’s done since Pulp Fiction, and Dwayne Johnson, the genial half-Samoan, half-black ex-pro wrestler formerly known as The Rock, the two supercops wreak $12 million in property damage to Manhattan while arresting a smalltime weed dealer. Then Jackson and Johnson take a victory lap around the police station, tossing their unfilled-out paperwork to “The Other Guys,” the precinct’s most pathetic desk jockeys, played by Ferrell and Mark Wahlberg, who become the movie’s main characters.
The Other Guys could have been more memorably entitled The White Guys. Much of comedy these days, especially funny TV commercials about doofus dads, gingerly deals with the paradox of a culture in which white guys have seemingly been dethroned from the top of the masculinity pyramid. Yet, the people who have the really good jobs making the movies, TV shows, and ads poking fun at white guys remain, overwhelmingly, white guys like McKay and Ferrell.
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